خلاصه داستان :

Bedri, a rather unlucky man, sets out to pay his exam fees, but unexpected surprises await him along the way.

خلاصه داستان : داستان در سال 1973 اتفاق می افتد. دورسون چاووش که در آدیامان زندگی می کند، با کار پستچی امرار معاش می کند. با این حال، وقتی ابوذر پسر دورسون عاشق دختر شهردار رشاد آقا می شود، همه چیز پیچیده می شود. دورسون که با آقا اختلاف دارد، با انگیزه همسرش سرور و دوستانش، درخواست بازنشستگی...

In 1973, Dursun Çavuş, who lived in Adıyaman, was a simple citizen who made a living as a postman. Things got complicated when his son Abuzer fell in love with the daughter of the mayor, Reşat Ağa. Dursun Çavuş, who had fallen out with Ağa, was persuaded by his wife Server and his friends to retire and run for mayor.Throughout the election campaign, thousands of Adıyaman residents who never left Dursun Çavuş's side were certain he would become mayor. However, Dursun Çavuş had fallen into an election trap. He lost by three votes.

خلاصه داستان : پسری قدرتمند و بی پروا به نام “علی نجات” ، دختری ایده آل نگر و متخصص اطفال به نام “ناز” و پسری عاشق اتوموبیل و خیال پرست به نام “اوموت” . علی نجات و ناز در شرایط عجیبی با هم آشنا شده و دیوانه وار عاشق هم میشن …“علی نجات” پسری قدرتمند و پولدار...

Naz who is a paediatrician loses her baby during pregnancy. Even though her husband wants another baby, she refuses to go through the same thing all over again. She goes to Italy for a conference and meets Ali Nejat there.

خلاصه داستان : این داستان دربارهٔ رابطه‌ای تراژیکومیک میان یک مجسمهٔ انتزاعی به نام «کائوس» — که خود را در حاشیهٔ یکی از حومه‌ها می‌یابد — و مردم ساکن آنجاست. بخش قابل توجهی از فیلم‌های با موضوع هنر که در سراسر جهان ساخته می‌شوند، اغلب در فضایی روشنفکرانه رخ می‌دهند. بنابراین این آثار بازتاب‌دهندهٔ مناظرهٔ نظری هنر «برتر»...

It is a story about a certain tragicomic relationship between an abstract sculpture name 'Chaos'-which finds itself in a fringe suburb-and the people who live there. A considerable portion of the art-themed movies made around the world often takes place in an intellectual atmosphere. These works are hence movies that reflect the theoretical 'high' art debate the elites deal with. Our movie rather depicts the warm relation between a surreal sculpture and those who live in slums and outskirts. In other words, it is the story of understanding and benefiting as much as possible fro 'Chaos' by those who see and render the world through their own dim window, who try to save the day with their ordinary calculations.